The process of choosing milongas for our shows is this: they need to be fast, energetic and short. Slow milongas can be cute but when we perform, we want to finish with a bang so something powerful is a must. And the length is crucial because by the end of the show we’re tired and don’t want a 3 min milonga - that’s why we don’t perform to Canaro milongas. So we usually go for D’Arienzo or Biagi or something completely different, on a rare occasion. We’ll do a milonga lesson in Zagreb during the

Milonga "Flor de Monserrat". Fernando Gracia and Sol Cerquides with "Solo Tango" orchestra. Танго.