Discover how a uniquely modern American art form found a home at a uniquely modern American museum. Through original recordings, archival audio, and new interviews with jazz legends like Sonny Rollins ...

By now it’s come to this: you’ve baked six different kinds of bread; you’ve grown tired of your colleagues’ stabs at humor and their zany Zoom backgrounds; you’ve finally mastered your kids’ remote ...

Robert Frank’s films include The Sin of Jesus, his 1961 adaptation of an Isaac Babel short story; OK End Here (1963), an intimate chamber piece featuring an original score by the great free jazz ...

Join Lola Flash and five friends as they reminisce about art and community when the AIDS epidemic tore through NYC in the 1980s and ’90s.

AH: And it wasn’t just the Rio Olympics that found it useful. EH: NASA has a data visualization team, and they’ve created their own version in the same format, which has also been very popular and ...

Hear from artists, writers, and therapists about what happens when art and grief collide.

“It’s like a fellow I once knew in El Paso. One day, he just took all his clothes off and jumped in a mess of cactus. I asked him that same question, ‘Why?’ He said, ‘It seemed to be a good idea at ...

Connie Butler: Em 1957, Lygia Clark fez um grupo de pinturas chamado Planos em Superfície Modulada. Aqui, novamente, Clark está usando essa ideia da espiral ou do pivô em torno de algum eixo central ...

In France, the Royal Academy of Painting and Sculpture, founded in 1648 under the aegis of Louis XIV, began organizing an annual exhibition in 1667. Because the recurring location for this event was ...

The artist talks about Claude Monet, the muscle memory of painting, and why he’s packing a tube of orange paint for his summer in Maine.

On the occasion of MoMA’s recent acquisition of more than 200 works by Ken Jacobs, and the presentation of three of his films in Gallery 411: Ken Jacobs: Deep Cuts, we sat down with one of cinema’s ...

I do not remember when I first met Richard Serra. But I do remember the first time I was bowled over by his work. It was in the fall of 1996 when I saw the monumental 58x64x70—the title describes the ...