Emily Blunt talks about her role in "The Smashing Machine" and teases the anticipated sequel "The Devil Wears Prada 2." ...
Typically, spoilers about an upcoming movie could be revealed if an actor is spotted on set by the public or if they are seen ...
The English is a revisionist Western television miniseries written and directed by Hugo Blick. It is co-produced by the BBC and Amazon Prime and stars Emily Blunt and Chaske Spencer. It first aired on ...
Emily Blunt, who is set to reprise the iconic role of Emily Charlton in The Devil Wears Prada sequel, shared her on-set experience.Nearly two decades after the original film's release, Blunt ...
For the time being, the latest we’ve heard about The Princess Diaries 3 was in August, when director Adele Lim put out an open casting call for a new character named Olivia Robinson. The character is ...
21hon MSN
Dwayne Johnson’s Daughters Pulled An A+ Prank On Him, And A Classic Will Ferrell Movie Was Involved
Dwayne “The Rock” Johnson might be one of the most well-known names out there, but he’s constantly sharing with people on ...
CinemaBlend on MSN
'The Smashing Machine' Interviews With Emily Blunt, Dwayne Johnson And Benny Safdie
Dwayne “The Rock” Johnson, Emily Blunt and Benny Safdie sit down with CinemaBlend to talk about all things “The Smashing ...
Have you ever had a meal that’s so good that you want to marry the person who made it? That happened to Prince Harry after ...
Emily Blunt was recently spotted deep in conversation with director Steven Spielberg on the set of his top-secret, untitled latest film. An insider tells Star the Oscar winner, 78, has grown close to ...
26don MSN
‘Every Day, I Had to Reinvent How to Keep This Thing on’ — The Hair Design of ‘The Smashing Machine’
The Oscar-winning hair department head discusses the challenge of creating wigs that could stand up to fighting in 100-degree heat and humidity.
A "masterpiece" horror film starring Emily Blunt hailed by fans as "supenseful and scary" has returned to Netflix in the UK.
Emily Blunt opens up about 'selling out', balancing indie roots with Hollywood blockbusters, and why choosing big films doesn’t mean losing integrity.
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