Showcasing the best in class for cutting edge motion design, the festival founded by Studio Dumbar/DEPT® is back for 2027, with submissions free and open now.
Jean Pierre Consuegra and Leo Horton muse on the beauty of long timelines, the power of the Instagram DM and why creative partnerships are best when you’ve got different specialisms to bring to the ...
Meet Louie Zong, Pixar storyboard artist and Blender illustrator who can tell a story about anything
Inspired by 90s edutainment, Final Fantasy, renaissance paintings and editorial illustrators, Louie Zong believes that sitting in the intersection between the past and present is the key to making ...
A way of confronting the frictionless, highly automated nature of modern life, Dia de Feira (Fair Day), is a series that honours the bustling bodies and clashing senses of the local market.
Pulling away from a focus on plants, the artist has turned her brush to a number of tasty visual treats of late, all in her signature fuzzy style.
Why inspiration feels harder to come by and how three types of creative ritual could be our strongest defence against the slow erosion of taste, attention, and intention.
Feeling like you and your work are overlooked is demoralising. Katie Cadwell demonstrates how you can prove your capabilities in this week’s Creative Career Conundrums.
What makes a branding system sustainable? For Stoëmp, it’s rooting it in something deeper than style
What really matters is personality. Not a fixed identity, but a living one. Just like people, brands evolve. The key is to ...
The American health care system is mind-bogglingly cruel and cryptic. When Parker Jones found herself trying to read countless medical documents, she teamed up with Rajshree Saraf to reverse-engineer ...
The Christophers, a new Ian McKellan-starring film includes 16 ‘fake’ artworks by painter Barnaby Gorton. Our culture columnist Gary Grimes argues that this body of work isn’t so different from the ...
Alexander Coggin challenges the “stock-still” with the ephemerality and quiet sadness of life in NYC
As the photographer returns to new York City to live and work full-time, he’s finding serendipitous moments, strange beauty and visible liminality following him all around.
Opinion
Benjamin Tuttle spent years designing for a Brooklyn microcinema – it all led him to Netflix’s Beef
The typeface and graphic designer breaks down his process and historical reference points for creating the second season titles of A24’s hit show.
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