Oscar nominees Ryan Tudhope, Nicolas Chevallier, Keith Dawson, and Robert Harrington reveal how real racing, broadcast ...

Fire and Ash” picks up where “The Way of Water” left off. The Sully family is hiding as they deal with the loss of son ...

That’s just like saying our performers are not actors,” says VFX supervisor and second unit director Richard Baneham.

Using Industrial Light & Magic in northern California, the most important task for Edwards and his team was to perfect the look of Alphie, who appears in 400 shots. By Aaron Couch Film Editor Many of ...

Sam is a News Editor for Collider and a known lover of all things sci-fi and horror. She spends her days editing news stories, coodrinating exclusives, and working closely with writers to deliver ...

Digital Trends spoke to Stoltz and Feldbau about how they made the small-scale approach work for the Daniels’ grand vision for Everything Everywhere All at Once, and what it’s like to see the ...

This story about director the visual effects design of “Andor” first ran in the Drama Series issue of TheWrap’s awards magazine. For Disney+’s “Andor,” an erudite elucidation of the prequel universe ...

Saying goodbye isn’t easy. And for director James Gunn, “Guardians of the Galaxy Vol. 3,” a film he almost didn’t make after controversial social media posts resurfaced, became his swan song in more ...

How Hawkeye VFX Team Gave Jolt, Lucky's Signature "Wink" Using a side-by-side comparison, it shows Jolt very much has the function of both her eyes. "For Lucky's performance, Lucky was 100 percent the ...

Visual effects workers at “Saturday Night Live” have unanimously voted to ratify their first union contract after organizing with IATSE at the start of the NBC show’s 50th season last October. Among ...