In 1971, Carlos Santana’s rock version of “Oye Como Va” made its author, Tito Puente, an international star. Yet when Puente wrote the original cha-cha-chá version, released by Tico Records on the ...
With his unmatched prowess on timbales and cheerful pan-Latin rhythms, Tito Puente rewrote the Latin pop playbook for half of the 20th century. Earning the nickname the King of Latin Music, the ...
In 1971, Carlos Santana’s rock version of “Oye Como Va” made its author, Tito Puente, an international star. Yet when Puente wrote the original cha-cha-chá version, released by Tico Records on the ...
From 1948 until 1966, the Palladium Ballroom, at the corner of 53rd and Broadway, was the city's mecca for Afro-Caribbean dance music. And for a... The percussionist and bandleader Tito Puente would ...
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