With accessibility of ever-cheaper gimbals easier than ever, is the venerable Steadicam still relevant for camera movement? Anybody who has tried to use a Steadicam will know how difficult they are to ...

Replay: 3-axis gimbals revolutionised the idea of getting stable shots without any lengthy Steadicam training, but there's a couple of rather sizeable elephants in the room, the need for five axes and ...

Las Vegas, NV – April 6, 2013 –The Tiffen Company, a leading manufacturer of award-winning accessories for the still imaging, video, motion picture and broadcast markets, is showcasing its latest ...

Regardless if you think the long, continuous take illusion of “1917” is immersive brilliance, or gimmicky showmanship, it’s hard not to be impressed by how the camera moves so precisely, in seemingly ...

Hand held and body mounted camera stabilizers revolutionized the film industry years ago with the ability to isolate the operator's movement, allowing for a smooth shot, even when the camera moves ...

Offered in two models — the Pilot HD/SDI and the Pilot HDMI — the new cost-efficient Steadicam Pilot HD Series camera stabilizer models are designed for video professionals. The new Steadicam Pilot HD ...

The new Steadimate-RS™ is the 3 rd generation of the Steadimate lineup, designed to improve the functionality and user experience of operating Ronin RS2, RS3 and RS3 Pro motorized gimbal stabilizers.

The Tiffen Company, a leading manufacturer of award-winning digital imaging accessories, today announced the availability of its new Steadicam® CURVE™ for GoPro® HERO® camera stabilizer system. Making ...

For Matthew Moriarty, being a steadicam operator means doing a job that works in tandem with an actor’s performance so that the clearest possible version of their shared storytelling comes across ...

Beauty is in the eye of the Steadicam camera for M. David Mullen. The alumnus and cinematographer received his fourth Emmy nomination in Outstanding Cinematography for a Single-Camera Series (One Hour ...

Cinematographer Roger Deakins and camera operator Charlie Rizek discuss how the Trinity was used to pull off some of the more difficult shots. Regardless if you think the long, continuous take ...