Pre-Raphaelite artist John Everett Millais’ painting The Blind Girl (1854–56) shows two girls sitting in a bright green meadow with a double rainbow in the background. While the younger girl stares ...

red chalk on pale cream wove paper, heightened with touches of white chalk, and a few touches of graphite laid down on modern backing paper ...

Concurrent shows at the Delaware Art Museum highlight overlooked aspects of Pre-Raphaelite art and tread beyond typical gender hierarchies. While Pre-Raphaelite Sisters does write the female ...

Winifred Sandys, "White Mayde of Avenel" (after 1902), watercolor on vellum, 8 × 6 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935 (all images courtesy Delaware Art Museum) ...

In 1854, at a time when divorce was considered taboo, Effie Gray went to court to annul her marriage to art critic John Ruskin. Gray cited the non-consummation of their wedding vows as justification ...

Truth & Beauty: The Pre-Raphaelites and the Old Masters is an escape. In the mausoleum-like lower galleries at the Legion of Honor, there are no windows to remind you of the outside world. There’s ...

Whether you like 19th century painting or not, it’s hard to ignore the Pre-Raphaelites, and it’s even harder to ignore the powerful beauty of their female models and muses – or “Pre-Raphaelite ...

The paintings of the Pre-Raphaelites were shockers in their day, unnerving prudish Victorians with images of powerful, full-lipped muscular women swathed in diaphanous, alluring fabrics. These days, ...

In 1848, there was only one clique to be in. And any artist worth their salt stuck outside the sacred circle would look on in envy at those admitted to the inner sanctum. The Pre-Raphaelite ...