Performances in N.Y.C. Advertisement Supported by The challenge of casting the Encores! revival of “The Tap Dance Kid” exposes some of the complications of tap, show business and Black history. By ...
MURRIETA, Calif. — A team of young California tap dancers is celebrating a gold medal performance. In this Zevely Zone, I headed to the Norris Performing Arts Center in Murrieta to meet the champs.
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. The performances, which feature a cast of promising young actors and dancers from ...
For Tony Award–winning tap dancer Savion Glover, words don’t mean a thing: He talks with his feet. A rumble of For Tony Award–winning tap dancer Savion Glover, words don’t mean a thing: He talks with ...
Alde Lewis and Zamira Williams hit the boards in The Tap Dance Kid. Credit: Photo by Carlos Figueroa @JPEGSbyCarlos Alde Lewis recalls dancing on Broadway with Tommy Tune as his director and ...
Move over, Fred Astaire. There's a new group of tap dancers in town. But they might not look as you expect. The sound of synchronized rhythms flow up the stairs from the lower floor of the Lincoln ...
The rattle of tap shoes fills the small black box theatre, as dancers step along to the swing jazz accompaniment. The tempo for this song, played by a pianist and a drummer hitting a high hat, is fast ...
To ward off the cold of the evening, Shakee Dixon pulled up the hood of his new, bright-red sweatshirt, purchased with his earnings from Bourbon Street. “You like ...
Little Rio Dancer and New Yorker Broadway The Tap Dance Kid 1983 Little Rio Dancer/New Yorker Broadway The Tap Dance Kid 1983 Mona Broadway The Tap Dance Kid 1983 Performer Broadway The Tap Dance Kid ...
The Tap Dance Kid (1983) now strutting fitfully at Ensemble Theatre, has a basic problem at its core in that the title character is not the main focus of the story. What derails Tap Dance is that ...
Performances in N.Y.C. Advertisement Supported by The Encores! series returns with a 1983 musical that, despite its pleasures, wasn’t quite right then and isn’t quite right now. By Jesse Green When ...