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A half dozen West End cast members from Six went to the Queen’s Gallery at Buckingham Palace for a special performance of “Haus of Holbein”, to coincide with the launch of a new Holbein exhibit at the ...

When we think of the Tudors, we think of majestic paintings in which they appear triumphant, ruffed, and dripping in finery. Across Renaissance Europe, portraiture was beginning to play a crucial role ...

Equally disturbing and didactic, The Dance of Death is an arresting, shocking, and terrifying evocation of Death’s dominion. In Holbein’s illustration “The Emperor” (all works c. 1526/38), a haughty ...

A MAGAZINE OF LITERATURE, ART, AND POLITICS. VOL. III.—MARCH, 1859.—NO. XVII. AT the northwest corner of Switzerland, just on the turn of the Rhine from its westward course between Germany and ...

There’s a new old painter in town: Hans Holbein the Younger, the dazzling Renaissance German specialist in portraiture, with his first major American show of paintings, “Holbein: Capturing Character,” ...

The first scholarly biography in more than 100 years of the man who immortalised the Tudor court does not disappoint Much of what we know, or think we know, about the court of Henry VIII comes ...

When the painting was acquired by the National Gallery in 1890, the identity of the two strident figures remained a mystery. It wasn’t until ten years later, with the publication of Mary F. S.

Holbein, "Jean de Dinteville and Georges de Selve (The Ambassadors)" (1533), oil on oak, held at National Gallery, London (all photos courtesy Yale University Press) The most succinct visual ...