The first race in F1: The Movie, at the British Grand Prix at Silverstone, results in a spectacular double crash that illustrates just how disastrously things can go when you don’t work together.

Seven-time world champion Hamilton worked closely on the blockbuster alongside director Joseph Kosinski and lead producer ...

How do you transport a movie audience to a racetrack, recreating the visceral experience of roaring engines, the ear-splitting squeal of tires on pavement and the screeching of brakes? That was the ...

Sound editor Al Nelson wanted to recreate the experience of a Formula One race: “It’s something you feel in your bones.” By Beatrice Verhoeven Awards Editor F1 sound editor Al Nelson and his team ...

When F1 sound editor Al Nelson and re-recording mixer Gary Rizzo joined director Joseph Kosinski's bold and action-packed F1, they had a few advantages working in their favor to help them tackle the ...

Add Yahoo as a preferred source to see more of our stories on Google. Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, ...

The Oscar-nominated sound team behind "F1" talks with IndieWire about forming a great audio "pit crew." The sound design of “F1” plays no small part in the movie’s emotional impact, and the sound team ...

The sound design team for Apple TV hit "F1: The Movie" picked up one prestigious UK award on Saturday — and another on Sunday. Continuing its track record of awards, all of those great engine noises ...